The prevalence of Boy’s Love (BL) drama in recent years has challenged China’s everlasting state-manipulated heteronormative ideology and patriarchy hegemony. However, it remains unknown whether exposure to BL drama makes female audiences more feminist or misogynistic. This study approached cultivation theory from a perspective of an active audience to investigate the relationship between genre-specific media exposure, the female gaze, fandom engagement, and female audiences’ gender ideologies. Based on a survey in China, this study found that exposure to BL drama related to both increased feminism and misogyny. However, the female gaze and fandom engagement can moderate their relationships. For audiences with high-level female gaze or fandom engagement, exposure to BL drama was associated with increased feminism. Based on these findings, this research raised a concept of ‘active feminist fan audience’ to depict the female audiences who view BL dramas from a feminist perspective of desire and actively engaged in fandom activities.
Blair, M. M. (2010) “‘She should just die in a ditch’: fan reactions to female characters in boys’ love manga”. In A. Levi, M. McHarry, and D. Pagliassotti, eds. Boys’ love manga: essays on the sexual ambiguity and cross-cultural fandom of the genre, 110–125. Jefferson: NC: McFarland.
https://doi.org/10.3983/twc.2011.0264
Boytos, A. S., K. A. Costabile, A. B. Austin, and K. A. Short (2020) “Feminism, gender, and agentic and communal themes in narrative identity”. Sex Roles 83, 54–63.
https://doi.org/10.1007/s11199-019-01089-x
Carpenter, S. and L. F. Johnson (2001) “Women derive collective self-esteem from their feminist identity”. Psychology of Women Quarterly 25, 3, 254–257.
https://doi.org/10.1111/1471-6402.00026
Chang, J. and H. Tian (2021) “Girl power in boy love: Yaoi, online female counterculture, and digital feminism in China”. Feminist Media Studies21, 4, 604–620.
https://doi.org/10.1080/14680777.2020.1803942
Chen, Z. T. (2021) “Poetic prosumption of animation, comic, game and novel in a post-socialist China: a case of a popular video-sharing social media Bilibili as heterotopia”. Journal of Consumer Culture 21, 2, 257–277.
https://doi.org/10.1177/1469540518787574
Dixon, T. L., Y. Zhang, and K. Conrad (2009) “Self-esteem, misogyny and Afrocentricity: an examination of the relationship between rap music consumption and African American perceptions”. Group Processes & Intergroup Relations 12, 3, 345–360.
https://doi.org/10.1177/1368430209102847
Downing, N. E. K. L. and Roush (1985) “From passive acceptance to active commitment: a model of feminist identity development for women”. The Counseling Psychologist 13, 4, 695–709.
https://doi.org/10.1177/0011000085134013
Duffet, M. (2013) Understanding fandom. New York: Bloomsbury.
https://doi.org/10.5040/9781501388354
Feng, H. and X. Luo (2022) “Boy’s love drama exposure and attitudes toward same-sex relationships: applying a moderated mediation model in the Chinese context”. Chinese Journal of Communication, 16, 2, 168–185.
https://doi.org/10.1080/17544750.2022.2153890
Findlay, B. and M. Piggott (2005) “Double jeopardy: lesbians and the legacy of multiple stigmatised identities”. Australian Journal of Psychology57, 85.
Fischer, A. R., D. M. Tokar, M. M. Mergl, G. E. Good, M. S. Hill, and S. A. Blum (2000) “Assessing women’s feminist identity development studies of convergent, discriminant, and structural validity”. Psychology of Women Quarterly 24, 1, 15–29.
https://doi.org/10.1111/j.1471-6402.2000.tb01018.x
Gerbner, G. (1969) “Toward ‘cultural indicators’: the analysis of mass mediated public message systems”. AV Communication Review 17, 2, 137–148.
https://doi.org/10.1007/bf02769102
Harmon, M. D., M. Fontenot, N. Geidner, and A. Mazumdar (2019) “Affluenza revisited: casting doubt on cultivation effects”. Journal of Broadcasting & Electronic Media 63, 2, 268–284.
https://doi.org/10.1080/08838151.2019.1622338
Hemmann, K. (2020) “Queering the media mix: the female gaze in Japanese fancomics”. In Manga cultures and the female gaze, 77–101. Cham: Palgrave Macmillan.
https://doi.org/10.3983/twc.2022.2155
Hu, T. and C. Y. Wang (2021) “Who is the counterpublic? Bromance-as-masquerade in Chinese online drama – SCI mystery”. Television & New Media 22, 6, 671–686.
https://doi.org/10.1177/1527476420937262
Hyde, J. S. (2002) “Feminist identity development: the current state of theory, research, and practice”. The counseling psychologist 30, 1, 105–110.
https://doi.org/10.1177/0011000002301007
Jenkins, H. (2009) Confronting the challenges of participatory culture: media education for the 21st century. The MIT Press.
https://doi.org/10.17077/etd.7mxrxi65
Kearney, M. (2006) Girls make media. NY: Routledge.
https://doi.org/10.4324/9780203958636
Kee, T. B. (2010) “Rewriting gender and sexuality in English-language Yaoi fanfiction”. In A. Levi, M. McHarry, and D. Pagliassotti, eds. Boys’ love manga: essays on the sexual ambiguity and cross-cultural fandom of the genre, 126–146. Jefferson, NC: McFarland.
https://doi.org/10.3983/twc.2011.0264
Li, X. (2020) “How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics in China”. Global Media and China 5, 1, 55–68.
https://doi.org/10.1177/2059436419899166
Madill, A. and Y. Zhao (2020) “Engagement with female-oriented male-male erotica in Mainland China and Hong Kong: fandom intensity, social outlook, and region”. Participations: Journal of Audience and Reception Studies 18, 1, 111–131.
https://doi.org/10.1080/01639625.2021.1891845
McCullough, K. M., Y. J. Wong, and N. J. Stevenson (2020) “Female video game players and the protective effect of feminist identity against internalized misogyny”. Sex Roles 82, 5, 266–276.
https://doi.org/10.1007/s11199-019-01055-7
Morgan, M. and J. Shanahan (2010) “The state of cultivation”. Journal of Broadcasting & Electronic Media 54, 2, 337–355.
https://doi.org/10.1080/08838151003735018
Mulvey, L. (1975) “Visual pleasure and narrative cinema”. Screen: The Journal of the Society for Education in Film and Television 16, 3, 6–18.
https://doi.org/10.1007/978-1-349-19798-9_3
Nagaike, K. (2012) Fantasies of cross-dressing: Japanese women write male-male erotica. Leiden and Boston: Brill.
https://doi.org/10.1163/9789004227002
Neville, L. (2015) “Male gays in the female gaze: women who watch m/m pornography”. Porn Studies, 2, 2-3, 192–207.
https://doi.org/10.1080/23268743.2015.1052937
Nevzat, R. (2018) “Reviving cultivation theory for social media”. The Asian Conference on Media, Communication & Film Conference.
https://doi.org/10.1201/9781003214878-11
Ng, E. and X. Li (2020) “A queer ‘socialist brotherhood’: The Guardian web series, boys’ love fandom, and the Chinese state”. Feminist Media Studies 20, 4, 479–495.
https://doi.org/10.1080/14680777.2020.1754627
Pagliassotti, D. (2008) “Reading boys’ love in the West”. Particip@tions 5, 2, 222–249.
Pagliassotti, D. (2010) “Better than romance? Japanese BL manga and the subgenre of male/male romantic fiction”. In Levi, A., McHarry, M., and D. Pagliassotti, eds. Boys’ love manga: Essays on the sexual ambiguity and cross-cultural fandom of the genre, 59–83. Jefferson, NC: McFarland.
https://doi.org/10.3983/twc.2011.0264
Sabik, N. J. and T. L. Tylka (2006) “Do feminist identity styles moderate the relation between perceived sexist events and disordered eating?”. Psychology of Women Quarterly 30, 1, 77–84.
https://doi.org/10.1111/j.1471-6402.2006.00264.x
Shi, X. and Y. Zheng (2021) “Feminist active commitment and sexual harassment perception among Chinese women: the moderating roles of targets’ gender stereotypicality and type of harassment”. Sex Roles 84, 7-8, 477–490.
https://doi.org/10.1007/s11199-020-01180-8
Sudo, M. and M. G. Hill (2006) “Concepts of women’s rights in modern China”. Gender & History 18, 3, 472–489.
https://doi.org/10.1111/j.1468-0424.2006.00452.x
Szymanski, D. M., A. Gupta, E. R. Carr, and D. Stewart (2009) “Internalized misogyny as a moderator of the link between sexist events and women’s psychological distress”. Sex Roles 61, 1, 101–109.
https://doi.org/10.1007/s11199-009-9611-y
Tian, X. (2020) “More than conformity or resistance: Chinese ‘boys’ love’ fandom in the age of internet censorship”. The Journal of the European Association for Chinese Studies 1, 189–213.
https://doi.org/10.25365/jeacs.2020.1.189-213
Toffler, A. (1980) The third wave. New York: Morrow.
https://doi.org/10.1093/oso/9780190852603.003.0007
Turner, S. (2016) Yaoi online: the queer and affective practices of a yaoi manga fan community. Doctoral dissertation, Birkbeck, University of London.
https://doi.org/10.18743/PUB.00040166
Tushnet, R. (2017) “Copyright law, fan practices, and the rights of the author”. In J. Gray, C. Sandvoss, and C. L. Harrington, eds. Fandom: identities and communities in a mediated world, 60–71. New York: New York University Press.
https://doi.org/10.2307/j.ctt1pwtbq2.7
Wang, Y. (2020) “The paradox of queer aura: a case study of gender-switching video remakes”. Feminist Media Studies 20, 4, 496–514.
https://doi.org/10.1080/14680777.2020.1754628
Wei, J. (2014) “Queer encounters between iron man and Chinese boys’ love fandom”. Transformative Works and Cultures 17, 17, 1–36.
https://doi.org/10.3983/twc.2014.0561
Wood, A. (2006) “‘Straight’ women, queer texts: boy-love manga and the rise of a global counterpublic”. Women’s Studies Quarterly 34, 1-2, 394–414.
Xu, K. and Y. Tan (2021) “The Chinese female spectatorship: a study of the network community of the ‘boys’ love’ movie ‘Call me by your name’”. Feminist Media Studies 21, 1, 35–50.
https://doi.org/10.1080/14680777.2019.1597752
Xu, Y. and L. Yang (2013) “Forbidden love: incest, generational conflict, and the erotics of power in Chinese BL fiction”. Journal of Graphic Novels and Comics 4, 1, 30–43.
https://doi.org/10.1080/21504857.2013.771378
Yang, L. and Y. Xu (2016) “Danmei, Xianqing, and the making of a queer online public sphere in China”. Communication and the Public 1, 2, 251–256.
https://doi.org/10.1177/2057047316648661
Yang, L. and Y. Xu (2017) “Chinese danmei fandom and cultural globalization from below”. In Boys’ love, cosplay, and androgynous idols: queer fan cultures in Mainland China, 3–19. Hong Kong: Hong Kong University Press.
https://doi.org/10.5790/hongkong/9789888390809.003.0002
Yang, X. (2020) “A shifting gender regime in contemporary China? Fans’ queer readings of the film Ne Zha”. The Barcelona Conference on Arts, Media & Culture 2020: Official Conference Proceedings, 43–55.
https://doi.org/10.22492/issn.2435-9475.2020.4
Zhang, C. (2016) “Loving boys twice as much: Chinese women’s paradoxical fandom of ‘boys’ love’ fiction”. Women’s Studies in Communication39, 3, 249–267.
https://doi.org/10.1080/07491409.2016.1190806
Zhang, C. Y. (2017) “When feminist falls in love with queer: Dan Mei culture as a transnational apparatus of love”. Feminist Formations 29, 2, 121–146.
https://doi.org/10.1353/ff.2017.0019
Zhao, J. J. (2020) “It has never been ‘normal’: queer pop in post-2000 China”. Feminist Media Studies 20, 4, 463–478.
https://doi.org/10.1080/14680777.2020.1754626
Zhou, Y., B. Paul, and R. Sherman (2018) “Still a hetero-gendered world: a content analysis of gender stereotypes and romantic ideals in Chinese boy love stories” Sex Roles 78, 1, 107–118.
https://doi.org/10.1007/s11199-017-0762-y