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  Trames
A Journal of the Humanities and Social Sciences

ISSN 1736-7514 (electronic)  ISSN 1406-0922 (print)
Published since 1997

Trames
A Journal of the Humanities and Social Sciences

ISSN 1736-7514 (electronic)  ISSN 1406-0922 (print)
Published since 1997

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PHILOSOPHY OF THE REYOG PONOROGO EQUIPMENT; pp. 289–297

(Full article in PDF format) https://doi.org/10.3176/tr.2018.3.05


Authors

Heri Wijayanto, Edy Kurniawan, Bambang Harmanto

Abstract

Interpretation of the meanings and symbols used in the Reyog Ponorogo equip­ment has several different meanings and differences of views in the society, players, community leaders and warok. The point of view, importance and approaches used in the interpretation and meaning are the reasons for the differences. Differences of interpretation on the Reyog Ponorogo equipment due to various interests can lead to eroded cultural values and threaten national integrity. The indications that lead to the erosion and erosion of values and meanings have begun to be felt by the society, for example, the writing of REYOG in Barongan is changed to REOG for the sake of development, the use of Jathil woman in the stage is considered far from the original meaning of the role of Jathil and the claim of ownership of Reyog art by other countries is a clear proof that there is a threat to national integrity. The difference between meaning and interpretation is the basis of this research to explore the philosophy of the Reyog Ponorogo art equipment. The specific target in this research is the compilation of a philosophy book of the Reyog Ponorogo art equipment. The technique of data analysis is descriptive qualitative through processes, induc­tion-interpretation-conceptualization, field data will be analysed by refining rough empirical material into field report, simplification of data to achieve detailed informa­tion but already focused in original expression respondents (indigenous concept) as the appearance of its emic perspective, so that what the mind has hidden behind the story of the respondent (interpretation), and finally a concept, can be found. The concept of the purposes and meaning of the Reyog set from various perspectives has finally been summed up to be a philosophy of the Reyog Ponorogo art equipment.

Keywords

Reyog equipment, Reyog, philosophy of the Reyog Ponorogo equipment

References

Badan Pusat Statistik Kabupaten Ponorogo (2006/2007) “Kabupaten Ponorogo dalam Angka”.

Hamidi (2004) “Metode Penelitian Kualitatif”. Universitas Muhammadiyah Malang.

Harsono Jusuf , Wijayanto Heri (2009) “Penyusunan Pedoman pembuatan perangkat kesenian Reyog Ponorogo sebagai upaya mempertahankan dan melestarikan budaya adiluhung”. Laporan Penelitian Lembaga Penelitian dan Pengabdian pada Masyarakat Universitas Muhammadiyah Ponorogo.

Juwaini. Available online at <http://edukasi.kompasiana.com/2010/11/24/budaya-reog-masuk-kurikulum-sekolah-ponorogo/> . Accessed on 16.08.2018.

Kurnianto , Rido , dkk. (2006) “Tradisi Warok dan Marginalisasi Perempuan di Kabupaten Ponorogo”. Hasil penelitian yang didanai Dirjen Dikti Diknas Jakarta tahun 2006. LPPM Unmuh Ponorogo.

Nursilah (2001) “Reyog Ponorogo Kajian Terhadap Seni Pertunjukan Rakyat Sebagai Pembentuk Identitas Budaya”. Jakarta: FISIP UI.

Pemkab Daerah Tingkat II Ponorogo (1993) “Pedoman Dasar Kesenian Reyog Ponorogo dalam Pentas Budaya Bangsa”. , Pemerintah Kabupaten daerah Tingkat II Ponorogo.

Purwowijoyo (1971) “Babad Ponorogo Jilid I”. Wredatama kantor pembinaan pendidikan masyarakat Ponorogo. Bandung.

Wijayanto Heri , Pramono (2007) “Pengingkatan pengetahuan dan ketrampilan melalui magang kewirausahaan pada Pengrajin Reyog Ponorogo”. Lembaga Penelitian dan Pengabdian pada Masyarakat Universitas Muhammadiyah Ponorogo.

Zamzam Fauzannafi M. (2005) “Reog Ponorogo menari di antara dominasi dan keragaman”. Yogyakarta: Kepel Press.

 
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Current Issue: Vol. 23, Issue 3, 2019




Publishing schedule:
No. 1: 20 March
No. 2: 20 June
No. 3: 20 September
No. 4: 20 December